Mary Holden, Paris to Black Mountain

Don’t you recognize Mary Holden? An American. Age 36. Twelve years in Paris. Three years back in North Carolina during which she has come back four times. Long-distance marriage to French animation artist, Jean-Luc. Two bi-cultural daughters. A half dozen odd jobs of varying levels of interest and pay. A succession of apartments and little pavillons. Enough frequent flyer miles to get to Hong Kong and back, Business Class. A deep love for daily Paris life and yet a gnawing alienation from both her indigenous and adoptive countries. “I don’t feel good over there and I don’t feel comfortable here. It’s confusing; there’s so much I miss wherever I am,” she admits.

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Paris Fashion Homage to Givenchy

Next month French haute couture will lose one of its few remaining giants. The towering (6 foot, 6 inch) Hubert de Givenchy will take a final bow after his couture collection, then retire from a world he has gracefully dominated for more than 40 years. A perfectionist in cut and silhouette with impeccable taste impervious to radical changes in style, Givenchy is part of the old school of fashion, which believes first and foremost that clothes should beautify the woman. Having dressed many of the world’s most elegant women, including Jacqueline Kennedy, the Duchess of Windsor, Princess Grace and Audrey Hepburn, Givenchy is recognized by industry professionals, including his colleagues, as one of the world’s greatest designers.

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Pierre Salinger Remembers

Pierre Salinger was in town last month to promote his new book: “P.S. A Memoir,” published simultaneously in French and English. Happily, the event coincided with the 100th anniversary of Brentano’s bookstore, so the passage of some 30 million books and the publication of one new one were duly celebrated by a literary lunch at the Hotel Bristol on October 11, and an extremely successful book-signing at Brentano’s on the 14th. The dual publication is fitting for a man who has spent so much of his life in France and has been known to the French public as a kind of “voice of America” ever since he conducted a Kennedy press conference over 30 years ago and wowed the local press boys by addressing them in French.

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Remembering Montparnasse’s Art Scene

In the early decades of the century, Montparnasse – named after the mountain home of Apollo and the muses – saw a concentration of artistic talent so vibrant that the quarter’s myth came to rival that of its ancient namesake. Struggling young painters and sculptors from all over the world were drawn to its ateliers. At dusk they filled the cafés, cadging drinks and boasting. If they were flush, they moved on to headier pleasures like a Dadaist play, a fancy-dress ball or a raucous supper at the Closerie de Lilas. But with World War II, the feast moved on, and today the neighborhood holds only echoes of old glory. Those seeking the essence of the 14th arrondissement will have better luck in the 7th, at the Espace Electra’s excellent “Les Heures Chaudes de Montparnasse.” Continue reading “Remembering Montparnasse’s Art Scene”

Sugar Blue’s Paris Blues

I know it’s dumb but I can’t help asking: is it true that Mick Jagger first spotted Sugar Blue playing harmonica on the Métro? Sugar Blue looks at me like it’s the sorriest question he’s ever heard. “Oh man,” he says, “can you really imagine Mick Jagger on the Métro…? I mean, they’d never let him out!” Okay, so how did he wind up playing fierce harp solos on tracks like “Miss You” for three of the Stones’ best albums? “I was jamming at a party in Paris when this guy gives me a number to ring about some session work. This English voice answered and said it was Mick, and told me to come on over to the studio, only it was like midnight or something, but I went. The taxi put me out at this deserted place near the Bois and just when I was thinking I was out of my mind for believing this stuff, someone opens a door and the next thing you know I’m recording with the Stones!”

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Paris, a Day at the Races

Although no “Hemingway sat here” plaques adorn the grand-stands of the eight Paris racetracks, the American writer was a regular horseplayer when he lived here from 1921 to 1926. Since the French racing establishment has done little or nothing to attract tourism – not even one brochure at tourist information centers – racing is one of Paris’ best kept entertainment secrets.

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