The webzine for English speaking Parisians
Following his denial of access by Google, artist John Gerrard hired a helicopter and produced a detailed photographic survey of one of the key physical sites of the internet, a Google data server building in Oklahoma known as a “data farm.” This survey was the starting point for “Farm (Pryor Creek, Oklahoma)” featuring a slow pan portrait of a simulated “twin” of the squat building flanked by diesel generators and powerful cooling towers. Continue reading “Surveillé-e-s”
This love story has nothing to do with the 1970 film starring Ali MacGraw. Instead we fast forward to the present where we find several people cramped together during the Christmas holidays in a homeless shelter. With Zeldin’s play (In Paris, November 5-10, 2018) love is the common denominator and a last ditch form of resistance. Continue reading “Alexander Zeldin’s Love Story”
Black and white photography fans remember Willy Ronis (1910-2009) for his lyric post war photographs depicting working class Parisians of the Belleville and Ménilmontant neighborhoods. His photo book “Belleville Ménilmontant” is a beloved classic. Now, nearly a decade after his death, Ronis’ photographs are being exhibited back in Paris’ 20th arrondissement where many of the pictures were originally taken (at the Pavillon Carré de Baudouin until January 02, 2019). Continue reading “Willy Ronis Revisited”
With the Cambridge Analytica scandal one might not be in the mood for seeing an exhibition about visualizing data while visiting Paris, but the “123 data” exhibition at the Fondation EDF is a “smiley face” showing what creators are doing with data. The exhibition is both fun and informative while making the argument that data is not just a threat to our private lives and means to enrich powerful corporations, but also a source of inspiration for artists. Continue reading “Paris Exhibition Explores Data Visualization”
“I wanted to leave Poland to see how my posters would stand up to the neon light of the west. I dreamed of Paris.” Roman Cieslewicz (1930-1996) came to Paris in 1963 and quickly became one of France’s leading graphic artists. The Musée des Arts Décoratifs revisits this major figure in late 20th century graphic design with a retrospective Roman Cieslewicz, la fabrique des images (until Sept. 23, 2018).
Paris’ Maison de l’Amérique Latine hosts an exhibition by fifteen international artists—photos, installations, holograms, video projections— inspired by Argentinian writer Adolfo Bioy Casares’ science fiction novel “Morel’s Invention or The Image Machine,” published in 1940 (to July 21, 2018). The book—a contemplation of image, reality, immortality and love— has influenced generations of artists from Garcia Marquez to Robbe-Grillet’s scenario for “L’Année Derniere à Marienbad (1961). Continue reading ““Morel’s Invention” Paris Exhibition”
Paris’ Denmark House is showing Henrik Saxgren’s stunning documentary photographs of Arctic Greenland (to May 17, 2018). Saxgren’s photos depict the life of sea hunters in the northernmost Greenlandic settlements. Documenting life in the harsh arctic wilderness he accompanied them on hunts on sea ice and travelled hundreds of miles by dog sled. The result is his latest book “Ultima Thule” and the exhibition at the Danish cultural center. Continue reading “Henrik Saxgren “Ultima Thule””
Art meets technology with “Artistes & Robots” at the Grand Palais (until July 9). The exhibition, featuring mostly European artists, opens with Jean Tinguely’s mid-1950s “Metamatics” (machines that make paintings). Among the techno pioneers the exhibition includes Nam June Paik’s iconic pseudo robot, “Olympe de Gougs,” an assembly of 12 wooden television sets, 12 color monitors and a laser videodisc player. It was commissioned by Paris for the bicentenary of the French Revolution in 1989. Continue reading “Robots & Artists at Grand Palais”
Paris’ Museum of Modern Art revisits French artist Jean Fautrier (1898-1964) with a major retrospective of his paintings, drawings and sculptures (to May 20, 2018). He is not well known outside France. But in Europe he is considered one of the most important precursors of “art informel,” a style which developed parallel to American abstract expressionism. In his famous series – Hostages (1943-1945), Objets (1955), Nus (1956), Partisans (1957) – the painting material itself becomes a major subject of the work. Continue reading “Jean Fautrier, Matter and Light”
Vincent Van Gogh in a letter from Paris to his friend Horace Mann Livens in 1886 said: “Paris is Paris, there is but one Paris and however hard living may be here… the French air clears up the brain and does one good.” Similar words have been spoken many times by countless artists past and present. “The Dutch in Paris, 1789-1914” —an exhibition at the Petit Palais—revisits the Paris sejours of nine Dutch artists attracted to Paris tracing their interactions with “La Ville-Lumière” (to May 13, 2018). Continue reading “Dutch Artists in Paris…”
The Tower Theatre returns to Paris performing Shakespeare’s “The Winter’s Tale” (June 5-10, 2018) at the Théâtre de Verdure, Jardin Shakespeare. The play (performed in English) is a life affirming classic where romance and love triumph over hearts frozen in perpetual winter. Continue reading “Tower Theatre Performs in Paris”