Wassily Kandinsky called for a spiritual revolution in his 1911 manifesto  “Concerning the Spiritual in Art” so that artists might express their inner lives in abstract “non-material” terms. The exhibition “Beyond the Stars. The Mystical Landscape from Monet to Kandinsky” at Paris’ Musée d’Orsay revisits artists such as Kandinsky who during the late 19th and early 20th century attempted to evoke the transcendental in their work. Continue reading “Mystical Landscapes at Musée d’Orsay”

“The Thinker” and “The Kiss” are among the world’s most recognizable sculptures. Both were created by the French artist Auguste Rodin (1840-1917) and are part of an extensive retrospective of the artists work paying homage to the centenary of his death at the Grand Palais ((until July 31). Continue reading “Rodin, the Centennial Exhibition”

Claude Monet once said “I perhaps owe it to flowers that I have become a painter.” Monet cultivated gardens wherever he lived. Today an estimated half million visitors pay homage to the artist’s Giverny garden where he painted his renowned water lilies. But Monet —although the most famous — is far from being the only artist inspired by gardens. Continue reading ““Jardins” at Grand Palais”

Picasso said he experienced a “revelation” while viewing African art at Paris’ Palais du Trocadéro ethnographic museum.  “A smell of mould and neglect caught me by the throat. I was so depressed that I would have chosen to leave immediately. But I forced myself to stay, to examine these masks, all these objects that people had created with a sacred, magical purpose, to serve as intermediaries between them and the unknown, hostile forces surrounding them, attempting in that way to overcome their fears by giving them colour and form. And then I understood what painting really meant. It’s not an aesthetic process; it’s a form of magic that interposes itself between us and the hostile universe, a means of seizing power by imposing a form on our terrors as well as on our desires. The day I understood that, I had found my path.” His discovery that day of African art resulted in what became his “African” style (1906-1909) and his iconic  “Les Demoiselles d’Avignon.” Continue reading “Primitive Picasso in Paris”