One of the things we love about Paris is the opportunity to hear so many top jazz performers. Lenore Raphael, who jazz critics have compared to Oscar Peterson, Bill Evans and even Thelonious Monk, will be in town playing her brand of modern swinging jazz (April 10, 2024) at the Cercle Suedois. Performing with Lenore is bassist Hilliard Greene who was music director for Little Jimmy Scott and joining them is top guitarists Wayne Wilkinson. Considered by many as one of great Steinway artists, she has performed at some of the world’s top jazz venues and festivals such as The London Jazz Festival, Jazz at Lincoln Center, Ronnie Scott’s (London) and the Blue Note. Continue reading “Jazz Pianist Lenore Raphael Swings into Paris”
Originating in the suburbs of Paris in the 1930s, this distinctively energetic style of jazz was created by the legendary Django Reinhardt, who played with fellow gypsy musicians in Parisian jazz haunts during the 1930s and 1940s. Reinhardt grew up in a caravan in the Parisian suburbs and famously lost the use of two of his left-hand fingers in a fire. Despite doctors saying he would never play guitar again, the paralysis of his two fingers instead led to his invention of Gypsy Jazz (or Jazz Manouche as it’s known in France), a new jazz style incorporating three-finger chord structures and smooth, rippling melodies. It was then handed down through the generations of Manouche gypsies via oral methods, as most of whom, Django included, could not read music. 
There are shows that are pure pleasure to watch, approaching their subject matter with sensitivity and insight and heightening a sense of beauty and even the sublime in their audience. “Une flûte enchantée” is certainly one of these. If high praise is familiar to Peter Brook, his latest work is particularly worthy of it. 
