In his Beat-like jaunt through the Parisian and European jazz scene, Mike Zwerin is not unlike Jack Kerouac, Mezz Mezzrow, or Hunter S. Thompson – writers to whom, for different reasons, he owes some allegiance. What makes him special is his devotion to the troubled musicians he idolizes, and a passion for music that is blessedly contagious. Many jazz fans will be familiar with Zwerin’s witty, irreverent and undeniably hip music reviews and articles published in the International Herald Tribune that have entertained us for decades. Based in Paris, or, rather, “stuck” there, as he likes to say, Mike Zwerin who’s been a music critic for the Trib since 1979, also had a distinguished career as a trombonist. When he was just 18 years old, he was invited by Miles Davis to play alongside Gerry Mulligan, John Lewis, and Max Roach in the band that was immortalized as “The Birth of the Cool.” “The Parisian Jazz Chronicles” constitute an engaging personal account of the jazz scene in Paris in the 1980s and 1990s. Zwerin writes lovingly but unsparingly about figures he knew and interviewed – such as Dexter Gordon, Freddy Heineken, Miles Davis, Bob Dylan, Chet Baker, Wayne Shorter, and Melvin Van Peebles. Against this background, he speaks of further allegiances (split between journalism and music, America and France…), while recounting his own life peopled by personal battles (a solitary struggle for sobriety, a failing marriage, and fatherhood…).