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The “Robert Ryman. Act of Looking” exhibition at Paris’ Musée de l’Orangerie revisits the artist’s minimalist white on white paintings (until July 01, 2024). Quintessentially art for art’s sake, people either love or hate this kind of work. Ryman (1930-2019) is a self-taught American painter, who began working in New York in the late 1950’s. He spent most of his career exploring the foundations of painting. Returning to the formula of the white square time after time — which he chose for its neutrality— he explored all the material components of a painting from texture, to surface to lighting and hanging systems. Continue reading “Robert Ryman at l’Orangerie”