That the Butte’s wine is almost undrinkable has never gotten in the way of what has to be one of this capital’s best annual fests!
As with any good party, this one has something for everybody: it’s part folklore, with fraternal orders from the winegrowing regions of France turning out in traditional robes and quirky hats, and part Arbor Day parade, complete with Harvest Queen, marching bands and street theater. Continue reading “Montmartre Fetes its Wine”
James Jacobs’ debut novel “No Ordinary Season” revisits life in small town America. A first impression could be this is just another coming of age book. It is much more than that. Appearing a century after Sinclair Lewis’ iconic “Main Street,” Jacobs’ book, situated in the fictional town of River Bend, Indiana, portrays a town with some of the provincial attitudes and prejudices of Lewis’ day. Continue reading “No Ordinary Season”
The Musée des Arts Décoratifs exhibition Affiches cubaines: révolution et cinéma, 1959-2019 (Cuban Posters: Revolution and Cinema, 1959-2019) looks at Cuban poster design with a focus on the golden era of the 1960s and 1970s. This exhibition is a rare look at a group of artists who created a unique approach to poster design and also a chance to revisit the Cuban political and cultural context for the work (to February 02, 2020). Continue reading “Cuban Posters Revisited in Paris”
Artists, botanists and philosophers contemplate the world of trees with the exhibition “Nous Les Arbres,” at the Fondation Cartier Pour l”Art Contemporain through drawings, paintings, films and installations. It includes a diverse array of work from internationally recognized artists, such as photographer-filmmaker Raymond Depardon to indigenous Yanomami Amerindians living in northern Brazil depicting the trees they use for food, medicine and shamanic rituals (to January 5, 2020)Continue reading “Trees Exhibition at Fondation Cartier”
A new French documentary film “J’Veux du Soleil ” (I Want the Sun), directed by Gilles Perret and Francois Ruffin, looks at the rural discontent fueling the Gilet Jaune (Yellow Vests) movement. Continue reading “J’Veux du Soleil”
The Apollo 11 lunar module with Neil Armstrong and Buzz Aldrin landed on the moon fifty years ago on July 20, 1969. Armstrong’s first step onto the lunar surface was broadcast on live TV to a worldwide audience. He famously described the event as “one small step for [a] man, one giant leap for mankind.” To mark the occasion Paris’ Grand Palais is exhibiting “La Lune, du voyage réel aux voyages imaginaires” (to July 22, 2019). Continue reading “Walking on the Moon”
Paris’ Grand Palais hosts a monumental immersive cinematic installation “Unidentified Plastic Object” featuring Wim Wenders’ film clips accompanied by music chosen by the German filmmaker especially for the event such as Ry Cooder’s unforgettable haunting slide guitar in “Paris Texas” and music from “Buena Vista Social Club.” Every evening 9PM to midnight (until April 22nd). Free admission. Continue reading “Wim Wenders’ Grand Palais Installation”
We’ll always have Paris. But if Bogart’s character in Casablanca came back to the city today he would be shocked to see some of the changes… par exemple the Eiffel Tower set off behind a three meter bullet proof transparent glass security wall. Continue reading “Eiffel Tower Behind Glass”
Ingmar Bergman (1918-2007) would have been 100 years old this year. To celebrate his centenary the Paris Institut Suédois pays homage to this iconic theater director and filmmaker with an exhibition in collaboration with the Ingmar Bergman Foundation and the Cinémathèque Française (to January 06, 2019). Continue reading “Paris Swedish Institute Celebrates Bergman”
With the Cambridge Analytica scandal one might not be in the mood for seeing an exhibition about visualizing data while visiting Paris, but the “123 data” exhibition at the Fondation EDF is a “smiley face” showing what creators are doing with data. The exhibition is both fun and informative while making the argument that data is not just a threat to our private lives and means to enrich powerful corporations, but also a source of inspiration for artists. Continue reading “Paris Exhibition Explores Data Visualization”
“I wanted to leave Poland to see how my posters would stand up to the neon light of the west. I dreamed of Paris.” Roman Cieslewicz (1930-1996) came to Paris in 1963 and quickly became one of France’s leading graphic artists. The Musée des Arts Décoratifs revisits this major figure in late 20th century graphic design with a retrospective Roman Cieslewicz, la fabrique des images (until Sept. 23, 2018).
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